|
About the Making Liveness category
|
|
1
|
159
|
4 March 2019
|
|
Repl.it useful for us?
|
|
1
|
56
|
15 July 2020
|
|
What's your computer setup like?
|
|
10
|
885
|
14 April 2019
|
|
Live coding IDEs?
|
|
2
|
351
|
28 February 2020
|
|
Can we talk about REPL interaction?
|
|
5
|
380
|
14 February 2020
|
|
What is this live coding system that you have made?
|
|
20
|
1776
|
5 February 2020
|
|
Synchronizing with multiple Languages?
|
|
16
|
477
|
4 February 2020
|
|
How your livecoding system works (running code, etc.)
|
|
8
|
512
|
2 February 2020
|
|
Help with choose platform - beginner
|
|
3
|
283
|
7 January 2020
|
|
The cultural differences between Live Coding and Algorave
|
|
14
|
563
|
6 October 2019
|
|
The Sounds of Live Coding
|
|
5
|
263
|
27 June 2019
|
|
Synthesis oriented dilemas
|
|
1
|
219
|
14 June 2019
|
|
Screenreader based live-coding
|
|
2
|
187
|
31 May 2019
|
|
Why re-invent music environments?
|
|
15
|
907
|
26 May 2019
|
|
Videos or photos of you performing
|
|
3
|
252
|
30 April 2019
|
|
How to make a new livecoding language
|
|
13
|
502
|
30 April 2019
|
|
Show us your abandoned projects
|
|
4
|
314
|
23 April 2019
|
|
Enabling textual response and reception: hierarchy, structure and functionality
|
|
2
|
194
|
11 April 2019
|
|
Extending general-purpose editors
|
|
8
|
292
|
9 April 2019
|
|
Computational grammars: towards real-time language design
|
|
2
|
297
|
16 March 2019
|
