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About the Making Liveness category
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0
|
208
|
4 March 2019
|
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Sonic Pi: Live_audio server input (◎_◎;)? HELP
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0
|
91
|
17 November 2020
|
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Repl.it useful for us?
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0
|
155
|
15 July 2020
|
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What's your computer setup like?
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9
|
1146
|
14 April 2019
|
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Live coding IDEs?
|
|
1
|
465
|
28 February 2020
|
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Can we talk about REPL interaction?
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4
|
494
|
14 February 2020
|
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What is this live coding system that you have made?
|
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19
|
2177
|
5 February 2020
|
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Synchronizing with multiple Languages?
|
|
15
|
642
|
4 February 2020
|
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How your livecoding system works (running code, etc.)
|
|
7
|
593
|
2 February 2020
|
|
Help with choose platform - beginner
|
|
2
|
360
|
7 January 2020
|
|
The cultural differences between Live Coding and Algorave
|
|
13
|
707
|
6 October 2019
|
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The Sounds of Live Coding
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|
4
|
329
|
27 June 2019
|
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Synthesis oriented dilemas
|
|
0
|
277
|
14 June 2019
|
|
Screenreader based live-coding
|
|
1
|
225
|
31 May 2019
|
|
Why re-invent music environments?
|
|
14
|
1052
|
26 May 2019
|
|
Videos or photos of you performing
|
|
2
|
319
|
30 April 2019
|
|
How to make a new livecoding language
|
|
12
|
601
|
30 April 2019
|
|
Show us your abandoned projects
|
|
3
|
392
|
23 April 2019
|
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Enabling textual response and reception: hierarchy, structure and functionality
|
|
1
|
242
|
11 April 2019
|
|
Extending general-purpose editors
|
|
7
|
344
|
9 April 2019
|
|
Computational grammars: towards real-time language design
|
|
1
|
336
|
16 March 2019
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