|
About the Making Liveness category
|
|
0
|
185
|
4 March 2019
|
|
Repl.it useful for us?
|
|
0
|
108
|
15 July 2020
|
|
What's your computer setup like?
|
|
9
|
1000
|
14 April 2019
|
|
Live coding IDEs?
|
|
1
|
419
|
28 February 2020
|
|
Can we talk about REPL interaction?
|
|
4
|
435
|
14 February 2020
|
|
What is this live coding system that you have made?
|
|
19
|
1952
|
5 February 2020
|
|
Synchronizing with multiple Languages?
|
|
15
|
538
|
4 February 2020
|
|
How your livecoding system works (running code, etc.)
|
|
7
|
557
|
2 February 2020
|
|
Help with choose platform - beginner
|
|
2
|
319
|
7 January 2020
|
|
The cultural differences between Live Coding and Algorave
|
|
13
|
626
|
6 October 2019
|
|
The Sounds of Live Coding
|
|
4
|
295
|
27 June 2019
|
|
Synthesis oriented dilemas
|
|
0
|
248
|
14 June 2019
|
|
Screenreader based live-coding
|
|
1
|
211
|
31 May 2019
|
|
Why re-invent music environments?
|
|
14
|
986
|
26 May 2019
|
|
Videos or photos of you performing
|
|
2
|
278
|
30 April 2019
|
|
How to make a new livecoding language
|
|
12
|
542
|
30 April 2019
|
|
Show us your abandoned projects
|
|
3
|
344
|
23 April 2019
|
|
Enabling textual response and reception: hierarchy, structure and functionality
|
|
1
|
216
|
11 April 2019
|
|
Extending general-purpose editors
|
|
7
|
325
|
9 April 2019
|
|
Computational grammars: towards real-time language design
|
|
1
|
321
|
16 March 2019
|
